<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1873520030758698396</id><updated>2012-01-09T06:51:28.647-08:00</updated><category term='topic - photography'/><category term='topic - songwriting'/><category term='tonal spread'/><category term='implied infinity'/><title type='text'>Kilroy's Lexicon</title><subtitle type='html'>Glenn Campbell's invented terms for creative purposes (an experimental blog)</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://kilroyslexicon.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1873520030758698396/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://kilroyslexicon.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Glenn Campbell</name><uri>http://www.blogger.com/profile/11289793330141562661</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_CutCumGq8-Y/SJC8R74W5cI/AAAAAAAAAHM/mwrm8qFf5Ps/S220/kilroy-bland-icon-80.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1873520030758698396.post-6256021527451201541</id><published>2009-01-26T12:12:00.000-08:00</published><updated>2009-01-26T12:20:39.072-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='implied infinity'/><category scheme='http://www.blogger.com/atom/ns#' term='topic - photography'/><title type='text'>implied infinity (photography)</title><content type='html'>In photography, &lt;i&gt;implied infinity&lt;/i&gt;, is the viewer's assumption, when a repeated pattern is cut off, that the pattern continues indefinitely beyond the frame. For example: If you take a photo of ten people crowded together, surrounded by grass on both right and left, the viewer will only see ten people, but if you cut of parts of people's bodies on either side, the view will assume that the ten people are only a small part of a big crowd. Implied infinity has bearing on how you crop a photo: Do you want the group or pattern to seem finite or infinite? It may also have relevance in other arts--for example, in the editing of a sound or a piece of video.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1873520030758698396-6256021527451201541?l=kilroyslexicon.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kilroyslexicon.blogspot.com/feeds/6256021527451201541/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kilroyslexicon.blogspot.com/2009/01/implied-infinity-photography.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1873520030758698396/posts/default/6256021527451201541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1873520030758698396/posts/default/6256021527451201541'/><link rel='alternate' type='text/html' href='http://kilroyslexicon.blogspot.com/2009/01/implied-infinity-photography.html' title='implied infinity (photography)'/><author><name>Glenn Campbell</name><uri>http://www.blogger.com/profile/11289793330141562661</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_CutCumGq8-Y/SJC8R74W5cI/AAAAAAAAAHM/mwrm8qFf5Ps/S220/kilroy-bland-icon-80.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1873520030758698396.post-8260764675768352215</id><published>2009-01-23T12:30:00.000-08:00</published><updated>2009-01-26T12:21:55.292-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='tonal spread'/><category scheme='http://www.blogger.com/atom/ns#' term='topic - songwriting'/><title type='text'>tonal spread (songwriting)</title><content type='html'>The &lt;span style="font-style: italic;"&gt;tonal spread &lt;/span&gt;is difference between the high and low notes in a song. In general, the greater the spread of a song, the more emotional and interesting it is. Songs (or portions of songs) with a low tonal spread, tend to be monotone and uninteresting. This could also be called the "contrast" of the song, like the color contrast of a photo. In a photo, the brighter the colors are, the more appealing the photo is. In songs, this contrast is achieved through widely differing notes rather than colors.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_CutCumGq8-Y/SXorstkJ8xI/AAAAAAAAA6o/pPTRcFKck7Q/s1600-h/spread.gif"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 284px; height: 201px;" src="http://4.bp.blogspot.com/_CutCumGq8-Y/SXorstkJ8xI/AAAAAAAAA6o/pPTRcFKck7Q/s400/spread.gif" alt="" id="BLOGGER_PHOTO_ID_5294592359072920338" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1873520030758698396-8260764675768352215?l=kilroyslexicon.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kilroyslexicon.blogspot.com/feeds/8260764675768352215/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kilroyslexicon.blogspot.com/2009/01/spread-songwriting.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1873520030758698396/posts/default/8260764675768352215'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1873520030758698396/posts/default/8260764675768352215'/><link rel='alternate' type='text/html' href='http://kilroyslexicon.blogspot.com/2009/01/spread-songwriting.html' title='tonal spread (songwriting)'/><author><name>Glenn Campbell</name><uri>http://www.blogger.com/profile/11289793330141562661</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_CutCumGq8-Y/SJC8R74W5cI/AAAAAAAAAHM/mwrm8qFf5Ps/S220/kilroy-bland-icon-80.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_CutCumGq8-Y/SXorstkJ8xI/AAAAAAAAA6o/pPTRcFKck7Q/s72-c/spread.gif' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
